Paschaltide : 10

In this Holy Easter Season, we are pleased to continue our series of festal vestments.

For this post, we are pleased to present a very simple set of vestments, made in the traditional Roman style.  The vestments are made from a beautiful ivory brocade and fully-lined in a shade of gold silk.  The chasuble in this post is ornamented in the well-known Roman style, a TAU at the front and a column at the back, formed simply by an out-lining golden galloon. 

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

PRIESTLY ORDINATIONS : 2025

 To readers of this Blog :

If you are considering obtaining a set of vestments for yourself or as a gift for Ordinations in 2025 ...

  NOW 

is the time to make an enquiry with the Saint Bede Studio.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Paschaltide : 9

 

This post features a set of vestments in the Studio's re-creation of the most ancient form of chasuble, often referred to as the conical chasuble.  Most readers of this post will never have seen such a chasuble, which was the only form of chasuble in the West from primitive times until the Middle Ages.  

The conical chasuble is like a flattened bell in its shape, with very long shoulders seams.  When it is put on, it completely envelops the wearer and must be drawn up into the small of the arms for convenience.  It is in drawing-up the chasuble in this way that caused it to form the distinctive folds which are so commonly seen in Mediaeval images of the celebration of Mass.  These folds are shewn in the image.

This set of vestments was made from an ivory-coloured dupion silk and lined with a lemon-coloured cloth.  It was ornamented with one of the Studio's unique braids, forming a TAU in the front and a column at the back.  This braid, being a replica of  a mediaeval ornament, is in colours of red, white and straw-gold upon a deep blue background.  It is called Saint Raymund.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Paschaltide : 8

In this Holy Season, we are pleased to continue with our series of festal vestments.

The chasuble in this post was made from an ecclesiastical brocade in ivory and straw-gold.  Fully-lined in taffeta, the chasuble is ornamented with one of the Studio's unique braids, being a replica of a design by AWN Pugin.  

The chasuble is in the Studio's Saint Giles style, which is the product of considerable research into historical vestments and refinement of dimensions for comfortable use.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Paschaltide : 7

 

This post features a set of vestments in the Studio's nod to contemporary styles.  This style we call Saint Martin.  It is both long and wide and is especially design to fold up beautifully when the arms of the celebrant are elevated (as is shewn in the adjacent image).

Tasteful contemporary vestments are made by certain studios in Italy, France and Germany, but we also make them here in Australia at the Saint Bede Studio.  This set has a simple dignity and is made from high quality fabrics.

An ivory-coloured damask is lined with a lemon-coloured cloth and is ornamented with a brocade in white and straw-gold, forming a TAU in the front and a column at the back.  The TAU is outlined with a narrow golden galloon.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Paschaltide : 6

In this Holy Season, we are pleased to continue with our series of festal vestments.

The chasuble in this post was made from a European brocade in a lovely and subtle shade of gold.  Fully-lined in a shade of dark red cloth, the chasuble is ornamented with a silk damask in colours of old gold upon wine-red.  A galloon of burgundy and straw-gold outlines the TAU ornament at the front of the chasuble and the column at the back. 

The chasuble is in the Studio's Borromeon style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

The Revision of the Roman Rite : How did it happen?

Celebration of Mass according to
the 1965 Missale Romanum.

Among the many over-reaching claims made in the proclamations of this painful Pontificate is one that stated that the revisions of the Roman Rite - specifically those which took place in and after the year 1969 - are "irreformable".  Only those who try to ignore or hide history could possibly come up with such a statement.  Graves and funerary monuments abound of those who considered their work to be permanent or irreformable.  Perhaps this is a small consolation for those suffering the agonies of the Church at this present time.

One of the lessons to be learned, however, from the Revision of the Liturgical books, which took place (mainly) between the years 1965 - 1970 is that changes took place in stages.

The first stage - introducing vernacular into the Rite of Mass and the celebration of the Sacraments was very dramatic and well-received.  Why it was so popular would bear a great deal of discussion, beyond the scope of this brief overview.  But there were no widespread protests against the introduction of the vernacular into the Roman Rite.  It seemed such a good idea, at least at first.  

Changes to the ritual actions of the Mass took place by degrees and - except for the innovation of the celebration of Mass facing the people at freestanding altars, went by without a great deal of handwringing or even attention, except of course for the celebrant and his ministers.  Ritually, so much was altered step-by-step in this period, that when the New Order of Mass came into effect on the First Sunday of Advent, 1969, it was seen quite clearly as just another revision amongst a continuum of revisions. That was the strategy and it was successful.

In a previous post, we presented the first of the Liturgical books to be released as a result of the decree of the Second Vatican Council Sacrosanctum Concilium.  We will continue to examine the many Anglophone Missals which were produced between 1964 and 1968 in further posts. Retrospectively, the form of the Roman Rite which existed between these two years has become known as the Interim Rite.  During those years, of course, such a term was not known, since that would have given the game away.  Except for those working behind the scenes, no one in 1964 / 65 would have believed that the Roman Rite would have been so drastically altered, such that Old and New bear only a basic resemblance.

For a younger generation the Missals of the so-called Interim Rite are largely unknown.  They make for a most interesting study.

The celebrant giving the Blessing during a
celebration of the Mass of the "Interim Rite".
The missal resting upon the altar is one of the Latin & vernacular
editions 1965-1968.

AMDG  

The Annunciation

 

On this transferred commemoration of The Annunciation of the Lord, known in England as Lady Day, we feature this set of Gothic Revival vestments made in honour of the Blessed Virgin Mary.

These vestments are ornamented with a recently-produced Marian braid, being the unique design of the Saint Bede Studio and based on the work of AWN Pugin.  This braid is called Salve Regina.  It is only available from the Saint Bede Studio.  The braid features the symbol of the fleur-de-lis, surmounted by a coronet.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Paschaltide : 5

 

This post features a Gothic Revival set of vestments, made from a resplendent metallic ecclesiastical brocade.  Although somewhat weighty, it is a fitting set of vestments for the most solemn occasions.

Although the chasuble is made from a dramatic-looking fabric, the ornament is understated, being a " Y " orphrey formed from an outlining braid.  It is fully lined in crimson-red cloth.  Also shewn with the chasuble is an apparel attached to the amice.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Paschaltide : 4

 

Section of a Gothic chasuble made from ivory ecclesiastical brocade and ornamented with the Studio's Saint Giles braid.

This set of vestments is not elaborate, but is well-made and will be serviceable for many years.  There is much to be said for vestments of simple dignity, eschewing the principle "too much is never enough."

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG